Started 327 days ago (2021-01-04T00:00:00Z).
Ends 36 days from now (2022-01-03T00:00:00Z).

Compose and produce a new piece of music each week. Your submission is due every Monday at 04:59 UTC (Sunday 11:59EST). You should aim for at least one minute of music, and should be created that week.

Late submissions: Late submissions are open. If you miss a deadline you can still submit by clicking the week on the calendar to the right. If you submit late, your post will get a big Late tag, but it will still count for your streak.

(Description lifted from Leafo's 2017 description--thanks, Leafo!)

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Recent submissions (464 total)

Another all-guitar one. This started pretty loose, and then coalesced around one chord progression. And a busy weekend meant I couldn't wrap it up until now. The overall result...could be music.

Guitar: PureSalem Mendiola, through Balls Effects KWB (for some bits) and straight into the board. One send: a hall-sized convolution reverb.

The title comes from the hydrogen bridge coming off of Messier 99.

An unfinished attempt. Two bass takes, LABS drums and a minilogue xd synth to fill the void.


Epic practice as I fool around with some new Kontakt instruments (Damage 2; Symphonic Destruction). I didn't really spend that much time writing this (maybe an hour or so), I spent a bunch of time exploring the sound design aspects of the plugin but didn't really incorporate them into the song.

This is some loops and sounds I noodled around with on the Yamaha QY100 and then later finished up on the computer and used all of my other regular gear.

I kind of wish it had more structure somewhat.

(edit) Uploaded in high quality here:

Another one that I kinda rushed. With Thanksgiving coming up next week, I'm hoping to have a bit more time to dedicate to the next one.

(Edit: added a v2 to slightly improve the mixing in the verse section).

So for this (early) Black Friday I managed to get a good price on a Korg Wavestate. This is the first experiment done with it, along with some bass guitar playing. Being my first dabble with it, there are some weird timings here and there and the bass is a bit low in the mix but I can see some great time up ahead with this machine! It does have a bit of a learning curve, but oddly enough it's one of the most insta-gratifying instruments I had. I used pad, strings, flute and taiko samples and the way you can sequence them so quickly and musically is bound to give some awesome inspiration.

I had in mind a maze like multi-dimensional library when starting this track. This was like the conflagration of a gigantic steampunk clockwork like building, with staircases that loop unto themselves like in an Escher painting, with rooms full of bookshelves that cross dimensions (a la Interestellar), and the occasional orangutan that goes "ook". Maybe it rearranges itself, like in the movie Dark City, or curves into itself a la Inception. Anything that speaks of structures that bend and suggest that there is something going on that we don't really get.

For that, I mixed traditional elements to give that mechanical vibe, between pianos, brass, stand up bass, and some arps that give a good structure. I also went for these strange sineous chromatic piano lines that don't seem to go anywhere. I did not have good "ook" samples but elephants can do surprising good job!

I wanted to try the Vital synth plugin and I built this track around a couple of stock presets with very few tweaks. I also used the Helm plugin by the same developer (Matt Tytel), as well as the Phrasebox plugin acting as an arpeggiator. So much goodness in all those plugins, both fascinating and overwhelming ! For the drums I used the Fabla sampler plugin by OpenAV. I don't often use automation in my DAW so that was a good opportunity to learn how to do that too. The sound samples are taken from a 1968 movie called the The Laser Beam, that Fran Blanche transferred from 16mm to YouTube (check out her amazing YT channel!).
I'd like to add a visual aspect to the track, I might add a video if I get anything good tomorrow.

Another very loose all-guitar piece, tracked quickly, but it took fiddling to get it into a structure. Guitar: Univox Effie hollow body in Fahey-C-like tuning (B here). Inline effects: high-pass Auto-Filter with drive. Sends: two convolution reverbs and one echo. Wide&Warm effect rack on the output.

Title comes from a proposed highway 98 in upstate NY.

Submitted for 2HTS, except I was 45 minutes late. Also, I had huge technical issues with this one so levels and quality is TOTALLY OFF and things got crunched up a HUGE amount.

I also started 45 minutes late. So it's not really a good example of quality music-making time this week :(

I may or may not be able to fix the recording issue before the deadline but we'll see.

Trouble's in your face
Permission denied
The paperwork's in place
As our work collides

Should have been hawk-eyed
The words within
Revealed to you the truth
But corporate always wins!

Didn't you take the time
To smell the roses
Don't you read the lines?
Affecting your ways
Protect ourselves,
That's what we do
But why do you not read?
It protects you too.

Running low on time, energy and motivation. This week is another minilogue xd track I complimented with Wavparty drums samples.
I have some catching up to do with last week's submissions. Cheers to all still going strong!

High quality on Soundcloud:

This one came out a bit weird, but bits of it are catchy so I kinda like it. I've recently been trying to program my drums to follow the melody more (since I'm a fan of music that does that). Some of the fills might feel a bit awkward, but I think I'm getting better at it. There's less of a bass focus in this song, which kinda sidesteps my recent muddiness issue. But I should really tackle something drum/bass heavy next time so I'm forced to practice mixing :P

Really had to rush this arrangement and mix because I did not have much time this week. There's even a whole second part that I did not have time to work on at all, but maybe it's actually better as it is now than if I had worked on it too much.

High quality on Soundcloud:

A gentle post-rock ish track in E minor. Not very apparent, but now I also experiment with different timed loops (like 8 bar motive versus 40 bar melody) to add even more variation on the repeats. The synth is sequenced with the Novation Launchpad Pro Mkiii.

Last week was very busy and pretty stressful, leaving little power to go on with the track. I went for this weird speedtrash track, that I feel reflects the mental state I'm in. The weird stress/dopamine induced ADHD-ic energy, it goes over the place and just won't let go. It's not pleasant to listen to, but at the same time, it was not a pleasant week.

I need sleep now.

Some more guitar this week, a simple instrumental classic-rock sounding track. As the year is slowly coming to an end, it seems like inspiration is not visiting as easily, and I realize that after all these years my guitar playing is still far from what I'd like to hear, which is a bit frustrating, that's what you get when you don't practice. ;) Let's hope I will find more time for that next year. Guitars were recorded through a Line6 Helix with a Fender Deluxe model and a Univibe for clean sounds, same path with an extra overdrive for the distorted parts. Bass is through an SVT model, and drums are EZDrummer, slightly customized to fit the track better.

Still chasing that all-guitar thing. Here's a four-track piece with just PureSalem Mendiola (done after an attempt with all-pedal-steel didn't go anywhere good). There's Balls Effects KWB on all these, and one track (the single-note pseudo-bass-line) got high-pass auto-filter.

There's Valhalla Supermassive on one track, and a church-sized convolution reverb on the rest, as well as an audio effect rack on the Wide&Warm preset for eq/compression.

The title comes from M97, the Owl Nebula, in Ursa Major.

Some sort of remembrance piece for someone in my past. It has a (european) doom metal opening riff but I don't find the piece depressing, more like energetic, a call to push through all the shadows. Guitar, bass, drums - back to the core.

Another piece put together on a sunday evening with the minilogue xd as source for the synth sounds and LABS for the drums. Not much inspiration for a track, let alone a title.

High quality on Soundcloud:

A drone piece that symbolizes my cat's stomach because it's deep and bottomless.

Created on the Arturia Minibrute 2s using their "drone" patch from the cookbook that comes in the manual.

Tried doing industrial/glitch metal. I had a lot of fun with the sound design, but I'm still struggling to get a clear, un-muddied bass a lot of the time.

I've had this chord progression in the head for a while but didn't know what I could do with it. This sounds rather like a jam than anything else and it's been a bit frustrating to not be able to make something more polished with this, I've felt annoyed on so many levels, my playing, the sound, the mix, somehow the track seemed to request more work than I could give it this week. I might keep working on this someday. Guitars and bass through Line6 Helix, drums is EZDrummer2.

This is an outtake from this week's livestream jam session, and I hope it shows how much better it is to jam along with someone else (although noodling alone has its perks!)

High quality on Soundcloud:
Full jam session and other related stuff here:

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