I dunno, did some filtery things with this track that I like. Also modulated the offset on the wave modulating the crossfade which adds a different texture

The sample is a sound from the Mario 64 Beta

Just another beat-driven piece, did some more stuff with sidechaining like crossfading between I think a sine wave and a square wave with yet another wave. I like it but maybe it's too similar in mood to the last one

Remaster of a track I had made for a previous album. My own spectral saturation tool, my own phase adjustment tool, MEqualizer, ReaComp, and Baby Audio TAIP were used

Generative ambient track composed with an L-System. Did the hyperosc thing again but this time with a lot of different oscillators controlling the crossfade, and some compression too.

Too long for the site so listen here:

https://djsaint-hubert.bandcamp.com/album/faded-ubiquitous-board

did some interesting stuff in this one, used a crossfade between two EQ profiles controlled by an oscillator controlling the pulsewidth of the synth for the bassline, the strings use a hyperosc, which I thought would be boring because it can't really be modulated, but I decided to have multiple instances of hyperosc with different settings and crossfade modulating the crossfade with another hyperosc lol. Proud of the mood I set in this one

Hi I'm DJ Saint-Hubert, I make electronic music with Jeskola Buzz, mostly Blok Modular http://www2.thisisnotrocketscience.nl/software/blok-modular/ Been trying to make more chill tunes as of recently. The hats and the noise sounds had complex patches in particular so I hope they sound good! Here's an image of the noise patch https://ibb.co/VY81ZrB

For mastering I used Melda MEqualizer, Baby Audio TAIP, Chow Tape Model, and a custom spectral saturation I programmed in Reaper's ReaJS language. I may post unmastered tracks if I'm running behind schedule though