Submissions from 2021-12-27 to 2022-01-03 (10 total)

Instead of leaving you all with a farewell to 2021, I'm thinking ahead to 2022 because I have a project to crank out.

I have a live show to prepare for on January 29, so I started sketching out the set with Track 1. What I need? A transition to track 2 :D

Composed on a Eurorack modular synth (7u 104hp; the rack hasn't changed in a few months) and a Minibrute 2s.

Here's some more liner notes:

Key: F major
BPM: 116.7

  • Minibrute 2s with drone patch (A-01) transition to A-02
  • Eurorack Metropolix Cyan-5 sequence 1 with skips on 2-8, opening up over time
  • Drum channels A-B-D muted, opening up over time
  • What I want to do is create sequence A-03 for a variation in the acid bass section
  • Also want to create more sequences for the drums and to figure out what knob I can turn to turn this from an acid bass song in F major to something in D minor that is darker and a little more foreboding.

I am closing the year with a subpar track. I could not quite make it work. I like that it's kinda silly and goes into a lot of directions but it misses something to make it work. Anyway, a track is a track and what matters is to finish something and learn from it! :)

This year was fun! I did a compilation of some tracks I enjoyed making this year and put it as a small EP. You can check it out there.

It was great doing the streak and seeing everyone producing cool and original tracks. I'll continue with Weekly Beats 2022. For those who go there, see you there next week! :)

I was inspired this week to write some stuff in weird time signatures and decided to finish strong with two songs (plus I had the week off, so I had the spare time :)).

I ended up really liking both of these. The main riff of The Squeaker was supposed to be 7/4 but it ended up actually sounding more like 5/4 in the guitar part, so the drums just end up sounding weirdly syncopated (which I liked). After writing most of that one, I decided I really wanted something in 7/4, and had an idea for one that I turned into Clocked. I think I'll revisit it in the future.

Posting every week by the deadline was great motivation that helped me to push through even when the song was feeling rough. I learned so much through the year, and even though I've still got a ways to go, I'm much happier with my songwriting abilities now. (Mixing is still a bit rough, but eh, I'll probably take some lessons this year to remedy that.)

It was a lot of fun seeing the stuff other folks worked on every week and I definitely picked up several tricks here. Hope y'all have a good new year full of plenty of composing :)

Well, this is it! The final track of the year!

First of all congratulations everyone, it's been a great experience and I've certainly discovered some great tracks from you (even if I've been very bad at commenting).

I also had a very interesting journey, going from more heavy-generative tracks in the beginning of the year to improvisation and looping and finally to more structure and composition / evolvement towards the end.

This track is the result of a nice process. First I improvised a clean-guitar track over which I afterwards layered the pad sound and saxophone-like melodies. I then found out the initial guitar track (which was done without accompaniment) a bit too busy so I re-recorded it listening more to the pad and sound. Finally I sequenced the drums and other short melodies.

Happy new year and see you very soon as I'm definitely going to keep going with the weekly challenge!

I played around with my MPC1000 and Volca Sample, then finished this project in Live.

Happy last day of the year, everyone.

happy 52 y'all! catch you on the flip side.

So... is this really the end ? I had so much fun with the Polyend Tracker doing this track, using regular samples for the drums and bass, and granular and wavetables for the rest, the last two built from the ambient sounds I recorded while on the Paris Metro last time I was there ! I mixed it in Mixbus and redid the reverbs and delays, and overlayed the field-recorded samples.
It was one hell of a year in many ways for me. But I learned a ton. So proud to have documented that here. Kudos to all of you for sharing their music here this year until the end, even when times were tough, it's been awesome listening to all of your tracks. Extra thanks to those who liked and commented, you guys rule. Cheers !

I'm closing 2021 with a Lyra-8 jam I recorded in several takes and attempted to quickly glue together into a track.

High quality on Soundcloud:

52 weeks! Thanks to everyone who submitted, listened and commented and thanks to @onezero for hosting the streak. I'm headed for a different project in 2022 and wish you all an amazing year.

Remaster of a track I had made for a previous album. My own spectral saturation tool, my own phase adjustment tool, MEqualizer, ReaComp, and Baby Audio TAIP were used

I'm ending the year with yet another all-one-guitar piece: four tracks of Epiphone Moderne, some with Balls Effects KWB + Vox Wah, and some straight into the Focusrite. There's a little echo on one track, and some room-sized convolution reverb on everything. Nothing too fancy, and most tracking was an intuitive response to other little loops.

The title comes from the fact that the Temple of Olympian Zeus had 104 columns, only 15 of which remain standing.

And we've made it to 52 weeks! Thank you to everyone who uploaded and listened! (I think the first Weekly Beats uploads will be due this coming week. I'd say check there for timing. I might just upload one extra here,)