Zambezi is a first person virtual reality title based around the concept of players travelling from the source to the foot of the Zambezi River in ancient times.
Players being at the source of the river in canoes and follow the river in a linear story driven experience as they travel down the river on an expedition, taking a look at the varied culture and threats of the rivers length while using the VR systems to create a deep connection with the games events. Players will need to manage their resources as they travel and puzzles will be presented in a variety of interactions during game play such as conversation or riddles, finding ways to move through a rapid pieces of river or sneak through a pod of angry hippos.
Zambezi is primarily designed to provide deep immersion while allowing players to see a popular destination through an intense fictional storyline.
●Virtual Reality
●Strong Story
●Beautiful Artwork
Nocturne is a 2D puzzle platformer based on the composition of music. Players must help a group of Nocturnals (creatures of the forest that sleep during the day in darkness) traverse the Twisted Divide. A wicked and scintillating forest that twist in upon itself.
The Nocturnal will walk forward indefinitely, they are blind and navigate purely by sound. Normally this works to their advantage but the Twisted Divide is a place much more hostile place filled with dissonant echoes and horrifying symphonies. Players take on the role of the Melody, the Nocturnals mysterious god who is able to lead them through the Twisted Divide. The Melody does this by composing music to guide the Nocturnals. But the compositions don't just guide the Nocturnal, they alter the landscape of the Twisted Divide. Players compositions are converted into imagery similar to visualizers common in modern media players, become the wind or the water of an area and shaping the way the landscape moves, potentially hindering or helping the nocturnal on their path.
The key to Nocturne is how players are taught, if the game only appeals to composers or musicians it won't succeed as a design. Carefully teaching players how compositions work through simple development of compositional knowledge using game levels to teach players through a mix of trial and error and guided examples. If the game can successfully teach players even simple aspects of this while using the engine to gloss input into beautiful tracks players will be put in a state of wonder as they try to create interesting and beautiful solutions to levels. Combining this with the potential for players to share their tracks and playthroughs either using an internal system or common streaming or video sharing services
●Music made by the player
●Unique art style
●Alternate and complex puzzler game play
Malevolence is a real-time tactics game focused on deck building and effective tactical decision making. Players have access to three unique factions known as the Bastion, Wildwoods and Oath breakers.
Players are placed in a dark reality in which humans struggle to exist, some live in the steam city of Bastion and pray to their machines and iron walls. Some turn to nature and live among tower treants and others still turn to the power of death. Players choose between the three unique factions and build a "deck" of units using points system where different units cost a different number of points. Similar to chess players place their pieces at the start of a match and then play it out in real time. Matches revolve around a variety of map dependant and partially randomised events which earn the players points. Unlike common RTS games there is no base building, players use the points they earn in game play to purchase reinforcements from success. Without success its harder to authorise further reinforcements, players still earn points while losing, but they earn less.
To augment their reinforcement's players can also draft unique powers and abilities such as artillery strikes, magical typhoons or meteors of rotting flesh.
Malevolence plays on two popular aspects of strategy games. The deck building of card games and the micro management and tactical decision making of real time strategy. Malevolence requires careful deck building, side decks will be available similar to common TCGs but mostly drafting armies will require careful strategic choices mixed with a strong style and understanding of the players preferences. Controlling armies will require calm control of multiple units similar to RTS but with a strong preference to objective based strategy. Combining these two Malevolence endeavours to perfect the genre
●Deck building similar to popular TCGs
●Fast paced strategy similar to RTS
●Intense objective based combat
Draconic is a third person adventure game in which players take on the role of a dragon from birth to death.
Players choose their origin country and begin their lives. The origin will influence the kind of dragon they are (Chinese, European, etc) and the abilities they have. They will then be born and play out the early phases of the game as a child. Once they graduate to adolescence they will leave their home to find a territory of their own. They will defend this territory from other dragons, hunt and interact with the wildlife and people of their environs. How players interact with the world will dictate how the world interacts back. Players can become terrifying monsters that everyone fear, they can become the legends spoken by hunters out after dark or they can become benevolent saviours of the area.
Draconic is about exploring the mythology of dragons and how people perceive them. In fiction there are kind dragons, evil dragons and elusive dragons. Players are encouraged to explore the variety of ways they can explore and interact with the world as a creature that is viewed differently in every society and culture to have existed.
●Deep sandbox environment
●Unique take on a favourite mythological creatures
Conversation is a first person narrative in which players interact with a series of AIs and try to determine if they are sentient or not.
Players are provided an environment and a subject to converse with. Some are human, some are artificial intelligence. Players must use their environment and logical skills to guide conversation and determine if the subject of their conversation is AI or not. Subjects will being with simple easy targets and will slowly work up to questionable and more difficult subjects, essentially attempting to best equip players to perform Turing Tests
Conversation is designed to make people think about what makes us human and how you could catch an AI on this, something that is regularly attempted by Turing tests. As players advance through levels they will learn the basics of telling AI from Humans but as they delve deeper they will need to apply these basics and strong logic to determine the answers to each scenario.
●Pure Logic Puzzles
●Interesting look at what separates humans from AI
Little Big is a story about a young girl and her adventures with a giant for Virtual reality. Players on take on the role of a giant (Mr. Big) and must carefully move the "Little" a young girl through the environment without directly touching her or letting her fall into the harmful traps and dangers in the areas she adventures in
Little Big takes advantage of the development of VR systems to let players take first person of Mr.Big the giant. Big must shift the map around and use his body to safely ensure she gets from the start of the level to the end without being hurt from the large number of traps and dangerous things throughout the level. Players will do things like using their limbs as makeshift bridges or shifting boulders from the path of the little girl.
Little big is a basic escort puzzler with a twist, adding in the unique roll of Mr. Big who is essentially a scene director? Players must safely get Little from one side to another using their body as a tool to achieve this goal
●Unique Giant mechanic
●Interesting use of VR
237.15 Below is a story based survival game. Players take on the role of Kelvin an engineer stationed at the new Helium Harvesting Station 237.15, Absolute Zero. Kelvins convoy is attacked during an expedition and he is stranded in the hostile wastes.
237.15 Below is a survival game, players must manage their heat and travel through a hostile world to reach the station. As they progress through the game players will need to use their engineering skills to create makeshift vehicles and weapons powered by helium to make their way back to the station. They will traverse a variety of challenges as they try to navigate the Tundra such as icy cliffs, volatile helium geysers and varieties of relentless alien creatures.
237.15 Below is a survival game with a strong story element. Players will need to combine elements of the environment to solve problems, because of this they will need to be searching for pieces to work with constantly and solutions to the obstacles that they are presented with. Maintaining the emotional aspects of the "struggle" to survive is a key part of most survival games and this scavenging aspect combined with the constant requirement to manage the player's heat depicts and conveys this struggle in two convincing mechanics
●Story Based Survival
●Complex crafting system
●Intense atmosphere
Impenetrable is a player versus AI first person strategy game in which players attempt to create a fortress that cannot be breached.
Players begin as a single builder unit, they must use the funds they are given to build a fortress that cannot be breached. Each round a wave of enemies will be released and will try to breach the fortress over a period of 24 hours. Players cannot kill the enemies but must instead design a fortress that cannot be breached using non-lethal traps, puzzles and well-designed wall systems as well as hiring NPCs to act as guards. Players have five minutes between waves to prepare or they can press the ready button to start earlier. Each wave has strengthened abilities and smarter AI that will search for ways to breach the player's defences, culminating in full on siege warfare. Players receive damage to their king if an enemy breaches the defences and lose if the king dies, every enemy that breaches the walls also results in less funds available to player next round.
A player versus player variant will also be available with players playing as infiltrators (or potentially 1v1 with players creating the AI for the infiltrators) and builders facing off in ten wave matches.
Impenetrable is a non-combat game based around the act of level design. Players act as the level designer and try to block all the methods the AI might try. Mod-able AIs will be a must for players who wish to push their abilities and saving set ups to share and have others try and infiltrate will also be an excellent way to proliferate the community. At its core Impenetrable seeks to hit the same sandbox level building appeal of games such as ARK or Minecraft while providing a smaller scope and clearly defined goals.
●Unique system, build puzzles and have AI test
●Easily modified AI
●Unique take on player versus player
Green House is a dynamic incremental game in which players control a greenhouse that specialises in creating genetically modified plays for specific purposes.
Players start with a basic green house and some money, players must create plants that fit the needs of clients who come to the greenhouse by combining a up to three plants. As they make money they can develop new plants by buying them in or splicing two plants together permanently allow them to grow more of them (where as the normal combinations will be infertile)
Green House is a simple incremental game with its primary draw being the same as all incremental games, a simple but enjoyable time sink for players. Its unique selling point is splicing two plants together permanently, creating these new plants creates a form of tech tree allowing players to combine more complex parts for more complex solutions to problems
●Plant themed
●Splicing
●Simple
Red Snow is a multi-player third person team based racing game in which players take on the role of skiing or snowboarding assassins attempting to kill each other
Players use sharpened skis or snowboards to try and assassinate each other before they get to the end of the race. To assist them players are able to pick up power ups as they go through the course. These are traditional racing power ups that will slow/cripple enemies or boost the player, there are no direct damage power ups. To damage and assassinate their opponents players will need to perform tricks. When players launch themselves into the air off ramps or using launch pads they can perform tricks through different inputs. If the players trick successfully contacts an enemy player it does damage to them. If a player manages to hit an opponent's head they are instantly decapitated. Once a player dies they are removed from the game. Teams score points for each player that crosses the finish line and a bonus point is awarded to the first player to cross the finish line.
Red Snow is a hectic brawling racer designed to have teams attempt to slaughter each other. Taking the traditional brawlers timed death match and translating the timer into a length of track which players have to progress down lends the game a unique combat dynamic, as if the arena changed dramatically over time. Players will become familiar with the courses as they play more leading to timed attacks on opponents in areas they feel most comfortable in. Overall Red Snow aims to be a fun brawler with a unique take on the genre
●Hectic brawling combat
●Unique take on timed play using a mountain track
Overview:
Crushing Victory is a tug of war game for up to four players in which players build units which progress along a single lane fighting each other. To collect resources for these units players solve matching puzzles.
Game play:
Up to four players can partake in matches with players facing off against one another in a cross shaped formation. At the center of the cross is an objective, the player with the most units alive at the objective begins to capture it and once it is captured it slowly damaged the opponents base. Players can produce a variety of units from infantry to vehicles and aircraft each of which have unique traits and abilities. To purchase these units players solve matching puzzles, matching chains of three similar minerals together to collect those minerals with bigger chains rewarding more minerals. The minerals are then spent to purchase and upgrade units. Once a unit is purchased it will be constantly produced, purchasing additional units will upgrade the number that are produced while purchasing upgrades will improve the strength of the units.
The game ends when only one player remains alive
Mind Set
Crushing victory is a hectic strategy game in which players endeavor to match items and then produce units. They must match their unit production to counter their opponents and control the middle for the longest period possible. Careful planning of the games user interface will be very important to the success of the game as there is a lot going on
Viracy is a first person virtual reality game based on the Steam VR. Players take on the role of a Virus who awaken in the D:/ Universal Service Bus. Players take over the D:/ drive and set out to find the meaning of their life while expanding their influence
Viracy uses the Steam VR to handle interactions and combat. The hand based controllers in the VR feed information for the games combat system with arm motions being fed into the game through the hand held controllers to allow for sword or gunplay. A system called combat synchronisation is used to help the feeling of combat where players can move around the room slightly to allow for a more satisfying combat experience in terms of movement but leaving the combat sync zone slows the game to allow players to re-centre themselves. Outside of this limited movement players will use thumb sticks to move, this is to allow for expansive environments without losing the fine-tuned components of combat the VR system can bring. The game has two states. Ship and Combat. Ship is a controlled state where players interact with their "crew" who are other viruses they join forces with or capture. The player is mute and answers yes or no with a nod of shake of their head detected via the VR headset. They can build and customise the ship to their liking and equip and prepare their crew before combat. When going into combat on the ship the players use a war table which they manipulate using their hands. Players define three squads of five, two of which they set AI tactics for while the third they lead into combat. Once this is done players enter combat, they will receive information through diegetic UI elements and a commentary from their shipboard tactical advisor.
Viracy is all about deep immersion it uses the VR system and careful design to deliver this. Considerations such as being mute are important because it would be difficult to retain immersion if the wrong voice is coming out of your face. The game has no HUD instead opting for a specific art style which has stark contrasts. Enemies and blue and white with humanoid round features to look friendly (anti-virus) while allies are black and red with sharp edges (viruses). The environments are largely white with sharp edges, similar to what you might find in a hospital. Because of the simplicity of the art style it is very easy to feed the player diegetic information throughout gameplay.
While doing this Viracy aims to explore the grey space available to it. Players can embrace the fact they are a virus and destroy everything, they can travel looking for the reason for their creation or they can try and find a place where they can be safe
●Deep immersive gameplay
●Virtual Reality
●Intense combat
Thicket is a third person puzzle game. Players play as twins who ventured into Thicket, a forbidden area of their town accessible by jumping their back fence. When the twins Dorian and Darian get lost in Thicket Darian is drawn into a strange anomaly and disappears. Dorian returns home to find his parents are denying his brother ever existed. He must find a way to get his brother back by venturing through Thicket and unlocking its secrets.
Players progress in sequences as one of the two twins (alternating). Darian is thrown into a strange version of Thicket rife with magic and strange creatures. Darian has to fight to survive and learn to control the wild magic of thicket. Dorian on the other hand must explore and solve the mystery of the technically advanced Thicket he has access to, the remnants of a research facility.
Darian will gain experience through completing activities and level up as the player chooses to assist him in traversing Thicket, changes that Darian makes to his world have a butterfly effect on Dorians world.
Dorian will have to collect information through exploring Thicket and studying outside of Thicket to solve the puzzles that will lead him to finding his lost brother, using the technology in Thicket Dorian can change the version of Thicket Darian is in (such as different monsters or environmental themes).
While levels will begin with sections that only have access to one of the characters later levels will have players use both characters simultaneously by switching between them as needed.
Thicket aims to get characters involved in the narrative, neither protagonist is aware the other is looking for them and the story is told on both sides as they slowing unravel their part in the narrative. Both protagonists offer unique and interesting gameplay based in entirely different settings.
●Unique story told from two perspectives in two different biomes
●Two characters to play as and develop in different ways
●Wide variety of puzzles based on the way characters develop and the different areas they have access to.
Grandmaster is an interactive mystery graphic novel similar to those made by Tell Tale games. Players take on the role of "The King" a person trapped in a shopping complex by a mysterious voice using a strange mist. The complex is turned into a game of chess by the mist which each king must attempt to win to save the people in the complex, the trick being no one knows who anyone else is.
The complex is populated by three factions, Team Black, Team White and innocents. Innocents are people who are do not belong to either faction but can still be useful. Players may choose a side however they do not know who in the complex belongs to which faction. Because of this players must use logic and investigative skills to determine which piece players are and which faction they belong to before moving them to try and put the enemy king in checkmate. Cheating is allowed as long as the other player is not aware of it (AKA cannot prove that the player cheated) and the mysterious voice isn't aware of it. If either of these stop them cheating penalties are applied (if the opposing king realises the piece is lost, if the voice realises players lose their turn).
The player is free to move around to organise moves and interact with the pieces over the course of the day however each interaction takes time and at the end of each day they must return to their "position" on the board for the moves to take effect. Once the moves take effect the voice will give a commentary of the turn which will provide additional hints to help players infer information.
There are three ways the game ends. The player loses. The player wins or the player finds another way out of the situation.
Grandmaster is a game about logical inference and collecting information similar to popular traitor games such as Mafia and Resistance. It draws player into logic puzzles to help them derive information and solve the puzzle. This is made trickier by the fact the player can cheat if they aren't caught which will happen often in the early portions of the game where players will have trouble catching or being caught cheating either intentionally or accidentally by other players though they will be able to gather information based on the successes and failures of these moves mixed with the voices commentary. Underlying the tense tactical struggle both in the game of chess and the information game players may also learn more about the mysterious voice who has created the scenario and seek to unravel that mystery.
●New take on the common traitor mechanic
●Highly tactical
●Deep story with player generated twists based on decisions
●Strong potential for replay if a randomly generated system could be managed
Theory is a first person mystery puzzle game designed to play off the popularity of CSI shows in contemporary media. Players take on the role of an asset recovery specialist for Global bank, the only bank in the entire world.
As asset recovery specialist the player's job is to retrieve stolen objects. To do this players investigate sites of thefts and then reverse engineers the method of theft to stop the same method being used and collect potential information about the thieves. Game play has two states, the first is where players investigate scenes with their camera which they use to take pictures and gather information. From there players use the pictures and things they remember from the scene to reverse engineer a machine or scenario that could cause the outcome. They can do this through directing actors or developing machines by combining parts or modelling new parts using photographs they've taken.
The more correct their model is the more clues they get from it. Players compete against a famous band of thieves who are pulling off heists around the world to try and catch them before they meet their unknown goals and disappear.
Theory is a puzzle game based around the popularity of CSI programs mixed with the classical elements of physical puzzling. Players are presented with an outcome (similar to the picture on a puzzle box) and a series of pieces they can combine (again similar to a real puzzle). They twist and hook for players is that there are more pieces than the puzzle needs and players need to use their investigative and observational skills to develop a solution or eliminate incorrect solutions until they can come up with a possible solution to submit. This combined with the fact that players are trying to catch a band of thieves before they disappear creates an intense cat and mouse game common in successful crime based thrillers
●Aspects of traditional physical puzzles
●Draws on popularity of contemporary CSI shows
●Creates a cat and mouse thriller aspect as players hunt a band of thieves
Crystalarium is a three dimensional puzzle game in which players attempt to reclaim the world by covering it in crystal.
At the start of each level players are presented with a unique building or monument which they must crystalize. From there players are provided crystals randomly selected from a pool which they must use to encase the level in crystal. Players will only be able to view the five total viewports for placement, one from each side and one from above. Players will have a limited amount of time to place each piece in the main game mode however a secondary mode will be available where players will need to build the highest tower possible without time limits. Structural stability will be an important part of encasing objects causing the crystals to collapse if they are not placed correctly.
Crystalarium is a simple game drawing on the success and popularity of physical puzzles to create a more dynamic puzzling experience in the third dimension. It will likely be most successful on mobile and tablets as an app to fill periods of time and entertain users on the fly.
●Dynamic puzzle building experience
●Unique three dimensional puzzles
Weather or Not is a top down godlike which utilises dynamic AI to simulate the development of civilization. Players shape the developments as a weather god, using their abilities to control the weather players will shape the way a civilization grows and develops.
Players take on the role of a god of the weather creating unique weather effects in the world to shape the development of a tribe of people. Depending on how they act the people will develop in different ways. Strong storms may develop a strong roaming people while constant sunshine may reduce the lands they live in to a barren wastes. The people will adapt to whatever is thrown at them using a unique survival AI. Weather or Not is a sandbox game so players only goal is to see where they can take their people using only the weather.
Weather or Not is a relaxed sandbox godlike which aims to explore the power of weather and its effects on our lives and cultures. Players are encouraged to explore their own way of developing civilizations in any way they want
●Unique adaptive AI
●Explore the power of weather
●Develop your own culturally unique tribe of people
The Way Without Words is a third person puzzler in which players explore Native American culture. Players take on the role of an explorer looking into Native American mythology in the aftermath of the Awakening, an event where magic burst back into the world after being trapped in the moon for many years.
The Way Without Words explores Native American mythology by bringing it to life, players explore areas to increase their knowledge and seek to mediate between the magical creatures resulting from the Awakening and humans. To do this they navigate their way through each level, solving puzzles to reach a spiritual altar which will impart additional knowledge to them. To complement these puzzles players are able to project themselves into walls, art or tapestries to take part in two dimensional stories based on Native American fables. Using this mechanic players will be able to move past and manipulate the real world. The Way Without Words is a linear narrative with a rich world designed to immerse players in a world that is in shock at the return of magic.
The Way Without Words is designed to look at Native American folklore and mythology in a respectful manner using a medium that has not previously been explored extensively while also addressing the potential moral and societal impacts of the return of magic. Players should feel wonder and curiosity as both they and their characters draw closer to the stories that unfold before them culminating in mediations between the magical creatures and humans. Puzzles will challenge players to mix both three dimensional and two dimensional aspects of the game to solve puzzles and advance through the game
●Use of multiple dimensions
●Strong exploration of Native American Folklore
●Explore a contemporary setting where magic has returned to the world
Interior is a first person stealth thriller in which players try to escape an underground earth inhabited by creatures made of living metal. After digging deep into the earth's crust players find themselves and their fellow crew members falling into a second world the "interior sphere" near the earth's core. Bailing from their falling drill craft the crew are scattered around the newly found inner sphere and hunted by strange creatures made of liquid metal.
Players endeavour to find the rest of the crew while escaping the interior sphere. They do this by sneaking through areas around the various threats to them as they proceed. Players are challenged with difficult stealth puzzles requiring players to use everything they can get their hands on to sneak past creatures by creating decoys or sound distractions as well as trying to decipher the strange systems the creatures use (puzzles) to proceed. Players will be faced with survival choices based around who to save and how to proceed which will have meaningful impacts on how the game plays out.
Players will be placed in a hostile alien environment close to the earth's core and populate largely by creatures made of liquid metals. The landscape has very little familiarity to what people would be familiar with and players should feel utterly out of place. This coupled with the hostility of the inhabitants of the interior sphere should set the tone for player's escapes. To control the players stress levels gameplay will be split into chapters which rotate around a familiar hub from that area to help players feel some kind of safety but also accentuate the fear of stepping out of the safety and comfort into a world they do not belong in.
Coupled with this players may need to make difficult decisions. For example as they progress players may come across fellow crew members that may be difficult to save or may hinder the player's progress due to injury or insanity among other things. Most companions will accompany the player for limited periods of time to keep the games atmosphere tense.
●Unique environment
●Intense atmosphere
Silent Light is a real time 2D Side scrolling puzzle game in which players attempt to navigate a group of paper lanterns representing lost souls through a maze using a limited number of tools.
At the beginning of each maze level players start in an unlit area. They must use resources to guide paper lanterns safely from the start of the level to the end, after thirty seconds a breeze begins to blow the lanterns forward. Players can freely place resources within the lit area and so must use the variety of things to help navigate the lanterns safely through the maze by creating things such as fires, fans or ice to move the lanterns in the appropriate way. Some elements may require powering by harnessing water flows in the area.
Silent light is a simple obstacle course escort puzzle game, using calming music and softer lighting and art style to give the gameplay a relaxing feel while still requiring a degree of focus and forethought as the lanterns move forward. Players shouldn't feel they can spend their resources frivolously but shouldn't feel a potential solution is too expensive (unless it's incredibly bad). No additional rewards will be given for having extra resources so as to encourage players to solve puzzles in their own way
●Calming game play
●Simple mechanics
●Open ended puzzles
Numbers is a puzzle based first person shooter in which players face off against each other to indirectly kill their opponents. To this they use "Point Assessors" specialised weapons which can alter the parameters of game objects but cannot harm other players.
Players face off in traditional FPS death match though capture the flag and control points could be implemented they would need specific considerations made, especially for balance. An example of a non-death match map might be players needing to escort a train from one end of the map to the other while the opposing team tries to sabotage the railway line.
Prior to the match players can choose from a variety of gun types (pistol, SMG, sniper rifle and more) each with unique projectile effects and parameter effects (probability, structural stability, speed, power and more) players may equip up to three weapons. All weapons share the same ammo pool and players start with one hundred shots. When a shot is fired at an object it alters the relevant parameter by plus or minus (all guns can add or subtract based on mode) one "point". A "point" varies in effect based on the object being targeted so one point of stability may be 5% of the structures stability, a point of bullet spread on an opponent maybe 1% variance and a point of speed added to the player might be one extra step per second. Once players have their guns they choose up to four traits. Traits are unique abilities that give the player an edge, they can do things such as slow players in an area while leaving objects moving the same speed. Reverse all changes on a player (negatives become positives and vice versa) or create mines that drastically decrease a players stats.
Using these load out players enter a match to try and kill each other. During a match ammo and traits do not recharge, players can only collect additional traits charges and ammo through two methods. They can either pick up recharge packs which spawn rarely around the map (give twenty ammo and recharge all traits) or whenever a player is killed all players gain ten points of ammo and their traits are reset.
During gameplay players will be able to view all the numbers relevant to their current in an area using a special vision toggle.
Numbers aims to be a tactical team orientated shooter which rewards high risk gameplay and quick thinking. Ammunition is limited so players have to carefully manage their shots as the game progresses and control the potential recharge packs. Combining tricks and control with traits will be key to securing kills and knowing when to commit traits and ammunition to a kill will be a key part of successful play. When kills do happen the instant recharges and ammunition allows teams to stage a comeback or secure their lead. Special considerations will need to be made to ensure that the game doesn't play too slow or defensively and to make sure that it is not too hard to kill each other as this is not the gameplay Numbers aims for.
●Unique indirect combat
●Solve dynamic puzzles to beat opponents
●Fast paced clashes mixed with careful tactical planning
The Ties That Bind Us is a third person puzzle game in which players take on the role of a Fate. A scythe wielding creature that shapes the world by manipulating the threads of fate.
At the beginning of each level players are given a goal, usually to manipulate a specific scenario to meet the goal of the greater fates. Players do this by using their scythe to cut and create threads of fate. Threads of fate give the two things they touch a link, which in turn leads to them affecting each other. Threads can be attached to any object in the game world from NPCs to physical objects and even sometimes abstract concepts. For example a player might cut the thread of fate between an NPC and a door stopping the NPC from being able to interact with that door, this may lead to him going around the back of the house where the player has linked him to a bucket which he then trips over. Using this system players manipulate the world to follow the plans of the fate.
The Ties That Bind Us is all about exploring the interactions objects have with each other and then meshing them together to achieve a goal. Each level presents new ways to approach goals and new threads that can be created. In this way the game achieves a sandbox feel while retaining the controlled environment that makes the complex mechanics more bearable.
●Deep puzzles with aha moments similar to plot twists
●Strange interactions
●Encourages sandobx style exploration
Wedding Assassin is a first person comical shooter. Players take on the role of a wedding assassin. A person hired to ruin a wedding. They shoot bottles of champagne to try and create the best possible chain reactions and spoil the weddings
At the start of each level players must locate ammunition (champagne bottles) and potential disasters, players can alter potential disasters by using their disaster vision, the ability to foresee terrible events. They must do this inconspicuously however as being caught doing suspicious things will raise a suspicion meter. The higher the meter more closely the player is watched and the closer they come to being kicked out of the party.
Bonus points are awarded for the more disastrous the assassination the more points the player earns (with bonus points for flair).
Wedding Assassin is a humorous game aiming to appeal to player's inner prankster with childish humour.
●Ruin peoples special moments
●Watch people lose their things
●Become universally hated
●Play elaborate pranks
Gearhead, grease monkey, tinkeress. Words thrown like insults that sound like praise to Vaasch Altier the aeronautic mechanic on the sky-liner Aura. The Aura is a weathered Zeppelin cruise liner repurposed to run short range economy class transportation in the empire of Kiren. Kiren is an older monarchy which embodies the ideas of a bourgeois culture. In response to this a rebellion is boiling in the country coming to a head when they hijack the Aura. Initially intending to blow it up their leader is moved by Vaasch's dedication to the ship and decides to take the Aura to their base as a flag ship, including Vaasch.
The Brazen Skies is primarily a first person puzzle game with a deep linear story line. Players take on Vaasch's role as the mechanic of the Aura, maintaining and upgrading the systems and interacting with both the crew of the ship and the people of the rebellion. Upgrading and maintaining the ship are executed as a form of puzzle, players manipulate systems to achieve their goals while navigating the ship. These will occur both in base but players may also be deployed with the ship, this leads to higher pressure scenarios where players must navigate the ship rapidly while performing repairs. Players will also face another form of puzzle in the form of conversations where they may need to shift NPCs opinions or ideals to advance the story
Vaasch is largely pacifistic and so will regularly oppose the rebellions viewpoints with the goal of minimising casualties and thinking of the people who will get mixed up in a potential war. She was born on and has lived most of her life on the Aura and so has a limited world view but a strong will and love of the Aura, attempting to do anything she can to protect it and the peaceful life she has had on it. The Brazen Skies aims to create an atmosphere where the traditionally "good" rebellion feels just as oppressive as the traditionally "bad" empire but also where Vaasch is an eccentric, passionate and somewhat naive pacifist. Overall The Brazen Skies looks to address the way wars effect people, the misconceptions and hasty conclusions we make when we feel strongly about something, pacifism and the difficulties of being a non-combatant in a combat situation all in a unique fantasy setting that helps make the content more digestible.
●Unique narrative
●Huge range of puzzles in all shapes and sizes
●Memorable characters that break many of the cookie cutter moulds
●Strong idealistic story that aims to challenges players views
Little Shop of Golems is a point and click puzzle game, players take on the role of a young sorcerer running a shop selling golems. Golems are magically animated creatures which perform specific tasks. Players will be given jobs to do which they will complete by creating a golem which fills the requirements. The better it fills the requirements the more the player is paid.
Players receive orders with a request for a golem to fulfil a specific task, players are able to reject orders if they find them morally reprehensible or pay not high enough. Occasionally customers will visit the shop directly and the player will be able to engage in conversation and barter with them.
Once they have accepted an order players will combine the variety of materials they have in their possession to create a golem that will fulfil the purposes. They can check on the performance of the golems in test environments however testing will often destroy the golem meaning players will need to spend additional resources to build a version for sale.
Players will need to advance their techniques through a variety of tech trees to be able to keep up with the quality of orders as orders will become harder to fulfil as the game progresses.
The end goal is to run the store for one year as required by the sorcerer's master. If they are unable to succeed in this time then they will be deemed unfit to continue to apprentice under their master.
Little Shop of Golems is a simple point and click combination game, players must manage resources and solve puzzle to match requirements given by customers. Underlying the game seeks to provide an interesting gothic narrative with unique characters and a coming of age story
●Simple gameplay
●Strong narrative
●Unique gothic aesthetic
