Started 19 days ago (2018-12-31T05:00:00Z).
Ends 345 days from now (2019-12-31T05:00:00Z).
Compose and produce a new piece of music each week. Your submission is due every Sunday at 11:59 UTC. You should aim for at least one minute of music, and should be created that week.
Late submissions: Late submissions are open. If you miss a deadline you can still submit by clicking the week on the calendar to the right. If you submit late, your post will get a big Late tag, but it will still count for your streak.
(Description lifted from Leafo's 2017 description--thanks, Leafo!)
Going in a completely different direction than anything I would usually do.
I think I was partly inspired by @onezero's track last week (although my bassline is not nearly as sleek and refined) and partly just motivated to do something completely outside my comfort zone.
beat in fruityloops with some generic stock patterns (casio-tastic!) bass, guitar, and a splash of midi controller via ableton with amp simulation, auto-wah, etc
the outcome pleases me, mainly because of stepping out of my box and in spite of the cheese/slop aspects :D
Submitting early since I have to work all weekend.
Minimal drone/glitch recorded live to stereo with no editing or processing.
Digitech MIDI Vocalist
DOD R-825 compressor/de-esser
Behringer Virtualizer Pro
Cross-feedback between two mixers
Late sub because it's been my daughter's first birthday this weekend and I've had literally zero time with my gear.
Made this little ambient thing now for her while she's napping. Only had about an hour so excuse the roughness.
Nord Rack 2X
Full blown space rock, with apologies to Dave Brock for biting his guitar riffs.
My ears were pretty shot by the time I mixed this, listening back to it now I think the bass and kick are too deep to translate well and compete with each other too much, but over all I'm OK with it. Not like I can hear anything down there on my monitors anyhow.
Mostly overdubbed in Reaper in single long takes, with a little bit of step sequencing in obvious parts. I'm also not a drummer even when I'm not dealing with interface latency so I had to tighten up the timing of the drums (which are a sort of haphazardly cobbled together early 90s electronic drum kit made from some free triggers a friend traded to me, a kick pedal someone left in my parents' basement when I was in high school, and the cheapest old Yamaha drum brain I could find on eBay) but I tried to keep them as loose as I could get away with, mostly just moving everything back a few ticks to keep it on the grid, and fixing a few late snare hits; the kick was programmed separately on a DR-110 and doubled as a click track.
a little more put together than last week. still a bit of a hasty hodgepodge, but that's kinda my style.
beat and sequencer in fruityloops (qwerty improv synth) then dropped all of that as one track (no time to be fancy) into ableton and did some bass/guitar-as-noise-sources and a rough mix
Kind of a weird arrangement that came together during the week: severely inverse-gated 505 drums, 909 for some heft, Tension clavinet (seriously tweaked to use plectrum, different finger weight...), Electric Mk1 (crunchy), Analog Off-World pad, Epi P-J bass (replacing initial synth bass) and Epi Moderne (through Reuss RF-01 and Vox Wah, into Auto-Filter). Sends: two convolution reverbs and one Echo, with Auto-Filter in front to make it interesting. Kind of weird to mix. It also changed tonal center during the arrangement process. Starting to feel like I'm recycling bass lines...but maybe it works.
Title from the element Xenon, element 54.
Really need to master these mastering plugins. Anyway, I'm pretty happy with this. Came together really quickly.
First track of the year! A fairly simple dub jam--606 samples (with automated auto-filter on kick and snare), bass (Epi P-J with EQ-8 rolloff), Ableton's Electric (Crunchy piano with auto-filter drive), and tabla samples. Sends: two convolution reverbs (one large, one smaller) and Echo (Dub Syndicate). Auto-pan on keys and tablas, Full-Chain Master on the stereo buss. I tried adding some other instruments here and there, but they didn't fit, so I'm keeping it simple.
Title comes from sources of iodine, element 53 (because I'm picking up where I left off).