Submissions from 2019-12-16 to 2019-12-23 (8 total)

Poorly mixed drone sketch made out of samples I made at around 2014 in some granular vst and found now. Not proud of it.

A library demo background track to an 80's Doctor Who program was what i had in mind. I wanted something errie and analog. I've not quite achieved the sound as i think it could be fuller, better seperated with EQ and probably with less hi end to simulate tape better. To be honest the string part at the end work best for me however i wanted to punctuate the piece with something so i added keys - but i used two sets of keys with the somewhat naive view thinking that more analog = more analog. Musically it "hollows" in parts owing to my lack of understanding in chord writing...and theres a duff key in there too as i didn't keep to scale.

A long track. This past week included a show on guitar, through a new Max/MSP patch. The signal chain is a Waves Factory Cassette VST, four parallel tapin/tapout pairs with variable lengths and regeneration, and convolution reverb. Delays and reverb also had variable bleed back to the input, and I set up message objects with fixed delay amounts so that I could snap the delay suddenly to new values. It's a work in progress, but I'm into the direction in which this is going. (UI work is important here; I'm using the Mira app to give more immediate access to the controls.)

Still, kind of a cool wintery vibe here.

Guitar (the Res-O-Glas) is going through a MOYO passive volume pedal and into the Focusrite. I pseudo-mastered this in Live with the Full-Chain Master effects rack.

Title from the unexpected volatility of this week's element, Lawrencium.

same theme, different riff. i wrestled with a lot of the same technical issues as the last couple of weeks, but especially had trouble getting the high end where i wanted with this.

Unexplained hardware issues, computers are too complex.

I got this note from a buddy of mine a few weeks ago:

"Hey,

Just dropping a line about Soy Un Navidad. The only rules are to poorly translate into Spanish and have text-to-speech do vocals. Oh, and send the Spanish lyrics, so I can attach them to the album. Outside of that, feel free to do just about anything that comes to mind. If you have any questions or anything, feel free to reach out."

Liner notes:

I did this track live (after many takes) on my hardware synths. (It kind of felt like hard mode)

  • Vocals: Octatrack. I roughly sliced them up and “arranged” them.
  • Chords: Some synth on my Deluge
  • Organ (Eurorack): Mutable Instruments Braids through a delay and a Spring Reverb and a Polaris filter
  • Bass (Euroack): Intellijel Plonk
  • Drums (Eurorack): An analog sine wave + Basimilus Iteritas Alter

It’s in the key of F major.

Lyrics:

O Come All Ye Faithful

Oh ven, todos ustedes fieles
Alegre y triunfante
Oh, ven, o vienes a Belén
Ven y miralo
Nacido el Rey de los Ángeles!
Oh ven, adoremoslo
Oh ven, adoremoslo
Oh ven, adoremoslo
Cristo el señor

Canta, coros de ángeles
Canta en exultación
Canten, todos ustedes ciudadanos del cielo arriba!
Gloria a Dios
Toda la gloria en lo más alto
Oh ven, adoremoslo
Oh ven, adoremoslo
Oh ven, adoremoslo
Cristo el señor

Got one of those Yamaha drum pads and it turns out they are very nice for banging in rhythm parts.