pulled the fresnel lens out of the overhead projector and placed it on top of the scan bed. uh. i dont really know what i'm doing here. but i think??? that the fresnel might "correct" the light heading to the sensor? to maybe yield a more consistent exposure over the whole frame? shot one is with the fresnel facing in, second is with it facing out. in and out here relative to where the light comes from in the overhead projector since im attempting to reverse its optics for capturing images? uhhh im fairly certain the fresnel needs to be a set distance away from the scanner to actually "work" but its certainly Doing Something here. oh and all the crap on the photo is from the nasty plastic screen on the scanner itself, i'll remove it once i'm more confident with what i'm doing here.
and that finishes what we started back in october. there's various other photoshoots i've been avoiding touching but I think I'm ready to get em done now.
coming back to this shoot with a better idea of how to edit it
more year old photos
redgraph can really be foul huh
without a prominent red in the scene getting the balance right between the two shots is very vibes
what is a redgraph? it's one photo taken with a red filter, one with no filter, then the difference between the two becomes the green and blue layers and the red one is the red layer. then a little bit more editing and voila, it's horrifying! for extra fun i took a buncha redgraphs without a tripod so everything has that anaglyph 3d eyesore to it!
its like a trichrome without the tri part?? it's a less-involved and more loose version of a thing I did nearly a year ago: https://streak.club/p/56991/trichrome-by-999999999
image #3 with bouba has some masking stuff going on to bring out midgrey detail in the environment but still keep her fur contrasty black and white im proud of the result
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@(: it really does... if i do remove it i will keep it around to be able to insert it back in
the plastic has The Vibe though