something compels me to point the camera at the sky even without color, and every time i actually get to editing them i go "ehh whyyy". we know why, the sky is beautiful. but its hard to capture.
edited a photo nifty took
the green that is present in the image at embed size is fascinating to me because it was not created intentionally at all. more glitchy process stuff primarily abusing making lots of instances of tools in darktable and changing the processing order. style ive been experimenting with in my earlier pose extractions and such. this one is a lot less imagedestructiony though, and i feel like the glitchcolors compliment the original photo, something i dont achieve often (usually more experimental editing for me results in a loss of what originally brought me to press the shutter button)
todays combination of things. moving fast, not happy with a lot of em but thats less important than just sharpening the workflow here
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dramaaaaaa
It can be really hard to accurately replicate all of the depth and subtle tonal gradation of interesting skies in color! There's not a whole lot of contrast between light blue and bluish whites, but B&W treatments always make things pop. These are great! I often struggle with these kinds of compositions because there's often not a clear subject to anchor your focus onto, and filling the frame with interesting textures while also keeping it legible and pleasant to look around is really tough!