something compels me to point the camera at the sky even without color, and every time i actually get to editing them i go "ehh whyyy". we know why, the sky is beautiful. but its hard to capture.
she went to the diner with us because it was important that the waitress there met her
return of subtle toning, this time less subtle (but still subtle)
july '25
all these years and hundreds of miles and i'm still playing videogames with people late into the night where the best move for hot food and snacks is to go down to the local gas station. truly a time honored tradition
you read about the usa 100 years ago and you go "damn it sounds like getting attacked by wild dogs was like a coming of age thing- a sort of tragedy that befell the old masters, that necessitated a whole profession around catching and preventing the formation of roving dog packs, what happened to us as a country? why don't i ever get attacked by wild dogs like the artists whose work so inspires me?" and then it happens to you and you go "Ohhhhhhhhhhhhhh I See"
wet fall my beloved
pwyc all ages punk continues to be where it's at, also the bookstore it was at is quite cool
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dramaaaaaa
It can be really hard to accurately replicate all of the depth and subtle tonal gradation of interesting skies in color! There's not a whole lot of contrast between light blue and bluish whites, but B&W treatments always make things pop. These are great! I often struggle with these kinds of compositions because there's often not a clear subject to anchor your focus onto, and filling the frame with interesting textures while also keeping it legible and pleasant to look around is really tough!