photos taken with a hoya red 25A filter.
dramatic skies? yes. but i still need to do a LOTTA contrast editing to actually get it that dark. and in the process foliage gets lost to the darkness too.... a yellow filter would perhaps be perfect, mostly preserve red to green and cut off blue and violet. but yellow filters are quite weak, only like 1-2 stops difference at most. definitely not enough to darken a sky more than the land. but.... what if... hmmmmmm...
wratten #12, #15, or #16. all long-pass filters. meaning they drop light below 500nm, 510nm, 520nm respectively. they're quite weak yes but subtract blue and (almost) only blue... what if . i stacked like 3 of them? maybe 4? i dont think id have to worry about vignetting cuz crop sensor. there would probably be awful internal reflection hell unless the filters were coated. but.... could it lead to... the advent of the analog version of the revered CRUNCH style https://streak.club/p/52899/crunch-by-999999999 https://streak.club/p/53026/we-can-crunch-harder-by-999999999 ???? probably not! but it might look cool!
you know the drill
portrait -> scale pixels -> landscape
something compels me to point the camera at the sky even without color, and every time i actually get to editing them i go "ehh whyyy". we know why, the sky is beautiful. but its hard to capture.
todays theme i guess, not all bangers but heyyy it's Cars.
uneasy framing
day and day
i think i still prefer doing tonecurves in rawtherapee then local contrast in darktable over agx :p #mymethod (theyre pretty similar in end result but my way just feels more predictable and consistent. using rawtherapee to create the shape of the curve then exposure tool works like the pivot and the local contrast stretching finetunes the curve and lets me choose whether i want a grayer more detailed image or a more smooth and high contrasty image which is like the black point white point settings i think but just. wayy more intuitive imo)
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