This week was an exercise in cutting to make something kind of ordinary potentially interesting. I had a chord progression in mind that was fun and satisfying to play, but which sounded...pedestrian. Rather than throw it out, I went for cuts. While I tracked it in a straightforward way, in this rendering, the first half of this piece disrupts the progression by emphasizing off-beats, and the second half restores the cut sections, but removes the parts that are audible in the first part. Two other guitar lines get a similar cutting treatment, without the restoration, and parts of the bassline are cut as well.
Drums: one track of 64-pad rock kit (every seventh beat dropped), and one track of 808 samples. Guitar: three tracks of Res-O-Glas recorded through the Vox Wah, with different sets of low-cut and high-cut Auto-Filter to simulate amp drive. Bass is the usual Epi P-J with EQ-8 low-cut, and a bit of air with a convolution reverb send. Guitars get that send, too...as do drums. There's also a delay send that the drums go to. There's flat full-chain master on the 2-bus.
Title from the use of this week's element (californium) to start nuclear reactors.
A busy week of wrapping up a job search...and submitting a couple versions of a track to a cover tune project. As a result, I approached this week's track a bit more intuitively. I came up with a few drum loops (64-pad rock kit drum rack, and 64-pad fingers-on-snare), and did some intuitive guitar with Res-O-Glas through an effect rack of auto-filter with drive and buffer-shuffler for some randomness. Then I put some more Res-O down (Auto-Filter with drive and cabinet plugin)...and finally some Epiphone P-J bass (direct...maybe I should have rolled off lows here, but I didn't).
Sends: Convolution reverb, two different Echo plugins. Full-chain master on the 2-buss.
Title from the meaning of the root of lanthanum (element 57).
First track of the year! A fairly simple dub jam--606 samples (with automated auto-filter on kick and snare), bass (Epi P-J with EQ-8 rolloff), Ableton's Electric (Crunchy piano with auto-filter drive), and tabla samples. Sends: two convolution reverbs (one large, one smaller) and Echo (Dub Syndicate). Auto-pan on keys and tablas, Full-Chain Master on the stereo buss. I tried adding some other instruments here and there, but they didn't fit, so I'm keeping it simple.
Title comes from sources of iodine, element 53 (because I'm picking up where I left off).
All in the box--drum racks, Impulse, Electric, Tension...and a lot of Auto-Filter wah on a lot--including a delay send channel with auto-filter on the front. (I'd recorded bass for this, but ended up replacing it with Tension Clavinet when the key changed.) It started as a dub thing, but got funkier, and I ended up applying wah to a lot of it. Busy week, so not a lot of time to devote to tracking, but I did spend some time in the evenings making variations to the drum line.