This week...there's been a lot to do, so I only spent a few minutes Friday night coming up with an intuitive drum line. On impulse, I went for one of the drum racks I did using Ableton Operator to generate the drum sounds. Saturday, I tracked bass, initially thinking a bit of 70s electric jazz (after reading Ethan Iverson's interview with Keith Jarrett from some years back) the one drum loop I'd written, and then thought to track more bass against it, higher up the neck. Then...rather than writing guitar, I added some ostinatos with Ableton's Analog, and electric piano lines with Ableton Electric. By this point...there wasn't any jazz left in it.
Inline effects: EQ-8 with different amounts of bass rolloff on each of the two bass lines, Max Humanizer on the drums.
Sends: one room-sized convolution reverb on bass, Valhalla Supermassive for keyboards, and Ableton Echo for occasional rhythm on the drums and keys. There's Full-Chain multiband compression on the stereo mix.
The title comes from Aristotle's notion of the number of layers of the universe.
While busy weeks are common now, this one was notably busy. But here's a track anyway. I had kind of a dub idea in mind, thinking of space and interplay...which I kind of got away from, but perhaps not unlistenably.
Drums: Ableton's Borella kit, with Drum Buss, little tiny synth noises from the Ableton DrumSynth kit, and hand claps with Impulse. Epi P-J bass, and Epi Moderne guitar (through Vox Wah). Operator for the organ part. I tracked some fretless guitar that I didn't end up using...but the fretless will probably reappear soon.
Sends: two convolution reverbs, one Delay, and one Echo.
Title from the etymology of this week's element, actinium.
A return to guitar (Res-O-Glas) and bass (Epi), here's a drifty kind of track, named in part after the 44th department of France.
I started with a Drumulator part, much faster, and slowed it waaaay down, I added hand drum and hand claps, some Operator bass (which I took out) and organ lines, along with grand piano in Simpler...and based on a dream I had, I went back and split the two drum lines, adding a vocoder chain to each one--Analog on the Drumulator and Operator on the hand drum. Grand piano sounded too...grand-piano-y, so I used auto-filter to reduce bandwidth and sent it to sends only. Guitar got some auto-filter, as did the Drumulator kick (to bring out the peak).
Sends are two convolution reverbs and one LFO auto-filter into Simpler. Full-chain master on the 2-bus.