Very busy week with travel, but here's a rhythm-driven track that I managed to put together. Three drum racks, an Impulse device (hand claps), two Electric instruments for keys, bass (direct), and Res-o-Glas guitar (direct). Standard signal chains; more notes soon.
Title from a use of this week's element, rhenium.
This one's a simple in-the-box housey piece. Inspiration was reading about one insufferable wealthy blowhard or other who put out a promo video in which he pronounced "discotheque" with four syllables. This kind of gave me the idea of doing a sample-fest of it, but apparently he didn't pronounce it exactly the way I'd thought, so I instead went with a simple synth line that had the kind of cadence I'd envisioned, over a disco-y kind of house rhythm. It fell together rather quickly, which is good, because this has been a busy week.
909 drum rack, hand claps, four tracks of Ableton's Analog. Convo reverb and delay. Not a lot of fancy stuff. Title comes from PA's Route 51, which wasn't far from where I grew up.
Merry Christmas/happy holidays/happy solstice/happy Eggnog Riot anniversary, or whatever you're celebrating!
Here's a track I worked on little by little during the week, and it was ok, but not terribly engaging...until I went all disco-house on the drums. That got it going again.
Production notes: one drum rack of single hits of dry trap kit (auto-filter to roll off lows and highs, add some distortion, and accentuate the resonant peak of the kick, and also parallel processing with band-pass + simple delay and band-pass + grain delay), one track of 909 (auto-filter high-pass with resonant peak to pop the kick, and a low-pass to tame the highs), Impulse instrument of hand claps, and drum rack of hand percussion (auto-filtered for tone shaping).
Keys: two Electric instruments (MKI2 crunchy preset into different auto-filters: one high-pass, and one LFO band-pass). Bass: 80s Epi P-J into the board, side chained to the 909. Guitar: self-built Res-O-Glas Belmont with Alumitones into a band-pass auto-filter with drive, for the small-amp sound.
Sends: one convolution reverb (a church), and one chain of simple delay into filter delay.
Unusually for me, I used the Warm & Wide Drums mastering preset on the master channel, instead of the Full-Chain Master I usually do; this time this one sounded a bit better. Everything except bass and the trap kit got auto-pan, and all MIDI instruments got 24ms of Humanizer.
Title from some free-association from the idea of 5 (for week 5), in that we conventionally have five material senses.