This one's an example of what happens when I'm not feeling as though there were ideas, and then finding at arrangement/mixdown that there are musical ideas here.
I'd started late Friday night by tracking some bass, which...didn't work. Saturday night, I tracked three different tracks of baritone guitar parts (bridge pickup, neck pickup, both pickups) and wasn't sure how they were working--the 6/4 meter seemed good, but there's a pause at the end of some phrases, and some parts played with that start/stop quality, coming in at different beats, rather than regularly.
Listening back to it all just now...it kind of works. So I'm going with it. It's kind of an unexpected gift from the process of sitting there and tracking.
The title comes from the Ōmiya district of Saitama, where Hikawa Shrine was founded in 473 BCE.
A reactive piece built up from a general sense of drum groove. One realistic-ish drum rack (64-pad rock kit), one 808 (mostly kick, with occasional obvious drum machine snare), hand claps, two channels of Epiphone P-J bass, and three channels of Epiphone Moderne guitar (through Vox Wah). I'd had a line of keyboards I took out. Auto-Filter with drive on one guitar channel, Auto-Pan on 808 and high bass, Drum Buss on the rock kit.
Sends: two convolution reverbs, and a channel of Echo.
Title from the property of this week's element, Einsteinium, which is radioactive enough to damage its crystal structure just by existing.