Tracked over the weekend, but I didn't have much of a chance to arrange it until Monday, and it required a bit of listening for editing. I'd started with some syncopated drum patterns (sounds from Ableton's 64 Pad Kit Jazz), and then I put down some sparse guitar with the PureSalem Mendiola through the Balls Effects KWB, and then bass. On listening, it made sense to move some of the guitar tracks to a different channel, so this ended up being a four-track thing.
There's a slight difference to how I'm approaching the bassline, particularly in the bridge, which makes this a bit of a departure, I think.
Inlines: Max Humanizer on drums. Guitars got high-pass Auto-Filter with some different cutoffs and different levels of drive, along with some Glue compression and different Cabinet modelers for air. (1x12 seemed to work best here.) Bass got the usual EQ-8 low-end rolloff, but also some compression as well. The stereo mix got Ableton's Wide & Warm effect rack for compression/eq.
Sends: two convolution reverbs (one large, one small) with high-pass Auto-Filter in front. Also a channel of delay on the 3.
The title comes from hepteracts having 84 penetrant 5-faces.