Started 5 years ago (2017-01-09T12:00:00Z). Goes forever.
you know what to do
Have a question for this streak?Ask a question...pitched down hihat in first 8 bars. iZ trash amp drainer distortion on all melodic channels with crossover. also distorted the kick. impacts and reversed impacts in the background all the time. flute piano bass supersaw are the main instruments. reversed piano. probably a lead in the drop would be good. bored with this. melody not that good. probably want to cut up the drop so it has bits of silence. probably want to change the chord changes timing in the drop. probably want to add a better drum fill before the drop. want to try transient shapers on the drums but cbf yet. want to use kick2 more, used vengeance. wanna make new supersaw sound, too tingy. maybe should set up a layered supersaw instead of just one patch. wanna do more of this just 4chord progression repeated over and over. maybe 8chord progression occasionally. or just 4chord progression with bassline that changes and repeats in 8bar chunks. 8bar melody and bass with 4chord progression. or maybe 16bar with super long bass notes
cymatics titan drums build up
started with the drum buildup. cut out different bits of it and looped them. tried to add bass and change some bits around and mix it but that ended up with everything clipping and unlistenable, so this is unmixed. you can hear the sidechain/clipping is really fucking everything up at the end of it but cbf anymore trying fixing it now. wanna try some more of the drum buildups from the pack. cymatics titan pack
https://www.youtube.com/watch?v=em_9vCGBZ6Q
Playing with Midinous, Novation Summit and Roland TR8s.
Simply modified one of the preset Midinous patterns, running an arpeggio algorithm on the Summit and clocking the TR8s.
https://www.youtube.com/watch?v=FTVY4aS1tz8
k maybe not daily, but I spent about a day on it.
Second track I ever made with Bitwig.
https://www.youtube.com/watch?v=v4bo_RwIwf0
Here generating melodies and drum patterns in Midinous, then creating arpeggios and drum-sounds in BespokeSynth and using a DS55, FB01 and JV1010 as synth sounds.
Beads showed up today, long awaited! This is it's first patch,. When Beads don't see an input, it gets "board" and becomes a granular wavetable osc. With a bass from Ableton and a key thing from Microfreak.
Day 3, Playing around with foley and textures
2nd, submission. More Lyra8-FX fun and Triplatt providing hands on modulating for the Bitbox Micro.
My first dump. By tip from dreamer im trying to push myself and make something new every day. Just got some new modules this morning, the SOMA Lyra8-FX and Intellijel Triplatt, so i took them for a spin in this little jam.
Mostly playing with cascading reverbs, delays and pitch shifts in this generative ambient track.
So another ambient track, but in a minimal vein this time. I thought about doing a generative patch, but this was a simple tune that just sort of came together really quickly. Sketched it Live using built in instruments and then used outboard gear to print it to loops/scenes. I am really digging Roland's SE-02. It was used for all sounds in this track. Printing the poly sounds was a PIA, but worth it.
A short ambient track.
down tempo glitchy march
Simple downtempo loop that turned into a full track. I should pull out ableton Push more often.
Continue to be short on time, so this is just a short ambient thing.
Part of a soundtrack for a horror genre exploration game.
Love this chord progression. Need to develop it more of course.
samples from a reddit sample pack competition: https://www.reddit.com/r/edmproduction/comments/5z...
sounds kinda artifacty, but it's past my bedtime
https://soundcloud.com/octetstream/17-03-14-halo
fuckin wit vocal effects
computer's malfunctioning, so here's a direct-from-keyboard recording instead.
based on the chords of the nine inch nails song. nice and easy so i don't wake up my roommate with the thunking sound of the keys.
i'll do a full cover once i learn how to sing.
