applying some of the techniques i gathered from my b&w experiments to color photography (ie. light-only local contrast, white balance shifts to manipulate shades, etc.), while still keeping in high regards colors and texture. unlike IMGP7811, i didn't apply any noise reduction on this one (i'm a big fan of pointillism-like color mixing, what can i say). there was a lot of fog this day, hence the clear layer separation
using curves to "burn" the parts of the sensor that received the most light
simulâcre d'intention
first picture taken with my first c-mount lenses (by accident?)
i don't think i'll use it much outside due to how eye catching the setup is, however i love being able to see the entire image projected by the lenses w/o being cropped into a stupid rectangle. circle photography be poppin
started editing this day after taking my melatonin, racing against the clock
landscaper
diversion
downward composition
dont overthink it
(?1e24)⍴'⋄'
this is a square composition
compositing experiment. different exposure for each color channel, same subject. didn't do anything with the raws, neutral export. take this as an idea not a result
a a
the truth
spent much of my energy painting + i'm kinda "out" of interesting raws. i'll go to the museum wednesday and hopefully snap some interesting compositions on the way
worst case, i'll go for a walk with the Q, there's always something
a tad uninspired, but on time (and my first use of the rgb curves in rawtherapee, somehow)
this is cheating and i don't care
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these colors pop so nicely