Four polyphonic sources each playing the same chords staggered (nylon guitar sampler, nylon guitar (modeled), cello sampler, synth bass) with filter, pitch and volume modulation of various varieties and some multiband delays. Reverb return and delay return channels were dialed in for each track. Reverb return (overdrive -> metalish short reverb -> blackhole reverb with huge space). Delay return was two stacked delays with standard short delay and fed into IZotope's digital delay. Delay return was not fed into master, but routed to Reverb return.
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@onezero
Four polyphonic sources each playing the same chords staggered (nylon guitar sampler, nylon guitar (modeled), cello sampler, synth bass) with filter, pitch and volume modulation of various varieties and some multiband delays. Reverb return and delay return channels were dialed in for each track. Reverb return (overdrive -> metalish short reverb -> blackhole reverb with huge space). Delay return was two stacked delays with standard short delay and fed into IZotope's digital delay. Delay return was not fed into master, but routed to Reverb return.
Gorgeous, deep drone sound here. What was your signal chain like?