This week's track started with the two drum patterns (Electro Dub kit and 64-pad rock kit) that together had a slow, off-kilter groove with each other. I didn't get around to tracking until Friday evening (one whole set of Fahey-tuned guitar that I didn't use, fake Mellotron that I didn't use, either). Saturday I did bass and Epiphone Moderne (Reuss RF-01 and Vox Wah, and also a track of non-distorted Moderne with wah). I extracted a track of unintentional sounds from the fuzz channel, and arranged them throughout for some texture; I'd toyed with the thought of building the piece around them, but opted to go for something less outside this time.
Sends: two convolution reverbs (room ambience, weirder room ambience on the fuzz guitar) and one echo (automated send on the one drum). There's a lot of EQ-8 to roll off low frequencies on the bass and on the electro-dub kit. And some M4L Humanizer on the drums. Full-chain master on everything.
Title from one of the earliest uses (fishing sinkers) for this week's element, lead.