Another guitar-only track, this one three tracks of PureSalem Mendiola. I tracked a few loose improvisations (much like the last few weeks), and then went off on another key--and these were tighter chord progressions and themes (in response to the first loose line you hear in the left channel). So I threw out the first couple passes, and kept responding to previous snippets in the new key.
Guitar: PureSalem Mendiola (one track neck pickup, one bridge, one both) through EHX LPB2ube. Channels got a couple different convolution reverbs, and there's the Wide & Warm preset for multi-band compression.
Title comes from the galaxy M94 apparently having little dark matter (that we've detected).
I'd had a thought of doing something a bit sparser this week, and while this one's more dense than I was thinking, some of the initial inspiration remains. The rhythms are mostly very syncopated, and are done with the usual 64 Pad Kit Jazz with an automated delay send and Max Humanizer.
For guitar, I used my home-built Res-O-Glas, and started with the little single-note line, and then responded to it with the chordal tremolo guitar (using a pedal from Mike Carey in Milwaukee), with a send to Valhalla Supermassive. I went back and forth between trem and non-trem channels, to do leads in response to rhythm, and rhythm in response to leads. The clean lead channel had a send to a large convolution reverb--spacious, but not quite as harmonic as the Valhalla.
For bass, I did the usual 80s Epiphone Embassy II, on the P-pickup. It got some low-end rolloff with EQ-8, and a send to a smaller convolution reverb (as did the drums).
The title comes from the use of the number 77 as a password at the Swedish border during WWII.