this was truly a speedrun any%. 2 hours total after a busy and exhausting week. it's ROUGH... but i'm still glad i checked in. i have a skeleton of something that i might eventually refine, so that's better than nothing!

Shaking off some of the restrictions I've had on myself, this one's more spacious, and makes use of long-reverb sustains into the quiet sections. I'd structured this one much more intuitively than other recent tracks, recording parts with long rests, not always syncing up the same way when they came around again. There's a kind of dream-logic to this, or maybe the feeling of allowing a warm summer day to pass by slowly, without obligations.

This is mostly three (and in a couple places four) parts for $60 Univox Coily hollowbody in Bb F C tuning. No inline effects, but two reverb sends on each channel: one theater-sized, and one with the Dan Harpole cistern.

The title comes from the Dún na Séad Castle at the western end the R595 road.

I went to see Hans Zimmer last Tuesday, which was quite an exceptional experience. This inspired this track, which did not have the time it deserved.