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A submission by Rain25 for Daily Art Club

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A submission by Rain25 for Daily Art Club

.7mm rollerball pen

Lil Nas X - STAR WALKIN' (Lyrics)

A submission by Rain25 for Daily Art Club

Егор Крид - We Gotta Get Love (Премьера клипа, 2022)

A submission by Rain25 for Daily Art Club

Егор Крид & The Limba - Coco L'Eau (Премьера клипа 2020)

A submission by Rain25 for Daily Art Club

1mm thick rollerball pen

music TEARZ - DIGITAL PA.IN

A submission by Rain25 for Daily Art Club

sliding hand across page more; using more arm to draw. want to learn more patience. also keep wanting to draw halo vidgame shapes, rectangles cutting into each other with diagonal lines cutting across etc. maybe ill draw more of that sort

A submission by Rain25 for Daily Art Club

David Guetta & Bebe Rexha - I'm Good (Blue) [Official Music Video]

guetta and rexha always got the bangerz

A submission by Rain25 for Daily Art Club

FACE - БУРГЕР (prod. by PackMan)

A submission by Rain25 for Daily Art Club

i think another thing about the process i use, if im gonna keep trying to analyse the process i use... is its more about whats easy for whatever medium im doing. it might not be obvious unless uve looked at my drawings. but i typically start every drawing on the page with one pretty similar line. a lot of the time its one continuous line then i draw without lifting from the page and it folds back on itself. and then i add one more line after that, then maybe one more line and maybe another line. so if i use a paint marker id use a different process... i havent drawn much with paint markers, but id draw a typical lump and then id repeat this lump for every drawing and draw off of that. something like this. i just do whatevers easiest for the medium im working in. for pen lines this has, i would say, got to a level where im drawing quite intricate single lines, maybe. and it all starts from that same place of starting at whatevers easiest to achieve in a medium. this Peter Draws 10 minute dialogue talks about this process of "LETTING THE MEDIUM DICTATE THE FORMS", is the way id put it https://www.youtube.com/watch?v=0P-Drs5OPRo&t=326s in longer from.

anyway u can see it even in the scribblier things i draw, even the scribblier things i draw, its the same hand motion repeated over and over again, u can see that in the 4 or 5 scribblier drawings on the page below. but i generally advise against analysing process like im doing now. my process is working, for me, i dont know what i achieve out of analysing it. the more i talk about it, the more i realise it doesnt matter what i say about it, caus i just keep making it so its not much point. but and but, i just make 'abstract' i guess is the label. if i had to stop and think "OK I WAN T A LINE HERE, AND A LINE HERE", and I WANT IT TO LOOK EXACLTY LIKE THIS AND IN THIS WAY. i mean i just dont do that. it sounds cool, id like to eventually start practicing that, even. but i just try and draw some new lines... see what it looks like. that will even so instantly make me think of a new combo of lines to try and draw. so theres really no, or very little, thought involved in the process i use atm

A submission by Rain25 for Daily Art Club

i think i enjoy this aesthetic most atm. slow progress on these. feels like it might take something like 500 pages to see any major progression. atm im thinking maybe to get these to gradually be 3-5 times bigger. at this point i think it might be like the max size id enjoy drawing these. and would want a mixture of lots of smaller shapes mixed with lots of bigger shapes so that the massive amount of whitespace is offset somehow with the smaller shapes providing like detail to look at. an obvious thing is like 'why not color in the shapes' but this is just drone work thats not very enjoyable... and probably have to wait for the ink to dry 2-3 minutes before coloring them in. so not really something id want to do. but maybe that could be done eventually. i think eventually making these same shapes using some type of pen-shading technique would be preferable and then any sized drawing would be possible and the whitespace wouldnt be a problem with pen shading providing like 100 different shades of possible color to any part... and then moving more into 3d with pen shading. i think ill get bored of these literal shapes eventually and move into shading and 3d. wish it was more comfortable to draw straight-line segments... just not that comfortable for the wrist to drawing lots of straight lines and corners but im slowly getting better at it maybe. feels like its gonna be slow progress for a while on these. dunno. maybe if i did more symmetry would help... not sure. im pretty used to non-symmetrical and its easy to do. nothing wrong with slow progress, feels like its necessary and not much way around it. but yeah eventually probly gotta move into ballpoint pen-shading. but probably want to work on this literal stuff for another 500-1000 pages before getting heavy into that. i think ballpoint pen shading could probably keep going indefinitely. this literal line-work might get boring/repetitive/stagnant at some point compared to pen shading......... but i dont really know. hard to say at this point. i think it makes sense to do the literal before the pen shading... seems like it should be possible to do these shapes in pen-shading somehow and from there more 3d shapework maybe. i dont really know what the end goal is. i like plants... maybe plants is the end goal. shape work good for plants maybe... pen shading plants should be a possibility too why not

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joined 327 days ago

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