Submissions from 2017-04-24 to 2017-05-01 (6 total)

first late submission, missed it by 24 seconds :(

Not sure if this is the final title or not... or the final sax part, but the beat is pretty much where I want it. I may also add some scratching during the polyrhythmic section in the near future (if I spend any more time on this track). The vocal sample comes courtesy of VenusLove, pulled from looperman.com. I basically put this together for a friend's video he's editing of footage from this year's SAS Ladies Day.

For this song I used the following:
-DM - The Drum Machine
- Logic Pro (DAW/various effects)
- Alto Saxophone

*No movie sample this week, but one may get added later. ;)

A funk track emerged this week. I started playing with beats (single-hits from a dry funk kit), added percussion (tabla, claps, conga/bongo), Wurlitzer and Rhodes...some piano and organ that I removed, put on bass, and two tracks (distorted and not distorted) of Epiphone Moderne through the Vox Wah. Notable production items...included M4L humanizer, subtle use of a couple different convolution reverbs (room and plate), simple delay cascading into filter delay, and not any automation--it just seemed to work better as a static thing.

Title comes from association from the Pythagorean distaste for the number 17, coming as it does as the interval between the numbers 16 and 18. Also, I've used a lot of major seconds in this. (https://en.wikipedia.org/wiki/17_(number)#cite_note-14, https://en.wikipedia.org/wiki/Major_second#Epogdoon)

Also, mad respect to anyone hanging in there!

Walking towards the waiting area. Flight was delayed.

The mystic waters.


Meta comment: A great way to NOT get inspired to do music is to find some kind of problem with the setup, spend 30 minutes tearing down cables and interfaces to find it, only to realize that you pressed the wrong button on the front of the interface that turned off ADAT routing.

Then you spend an hour plugging everything back in again.

12:40 - 14:45: Patching for sounds and trying to do arps on Carbon…

Apparently the Carbon doesn't do arps on hold, which is a nuisance. I am getting a little annoyed with the fact that I've been trying to figure problems out instead of making music, so I think I'm just going to crank something out in the software sequencer.

Total time: 2h 5m. Not very happy with the process, though the end result isn't bad. I wanted to do work with arps but I didn't get a good chance to due to failures of hardware so I went back to old habits. Will need to figure out how to mess with more effects next week.