Submissions from 2019-08-26 to 2019-09-02 (7 total)

I messed around with some pianos. Tried to keep it simple today and totally ran out of time cutting and mixing (as always). Hope you enjoy this weird vaporwave trip.

Inspired by a play I will be sound designing in November.

On the dark, frigid wasteland of Pluto, a team of scientists finds themselves marooned and out of contact with Earth. With nothing to do but wait, the crew struggles to maintain their sanity as the very fabric of reality begins to unravel around them. In the spirit of sci-fi horror classics such as Alien and Sunshine, Alistair McDowall's groundbreaking play poses the question: Can you solve for X?

Kind of a mood piece. Much of my musical activity this week was focused on the monthly covers project (Black Sabbath this month), so my work on this one was a little later than usual, and more intuitive and reactive than planned.

Drums: reverse-gated 606 and 808, straight 808, and Ableton Cashon kit. Bit of Ableton Electric piano, and Epi bass, with two tracks of Res-O-Glas guitar (Balls Effects KWB pedal into Vox Wah). Bass got the usual EQ-8 low rolloff, while one channel of guitar got the low-pass and high-pass Auto-filter treatment. Both got Cabinet. Lot of send automation to a channel of Ableton Echo (with LFO band-pass Auto-Filter in front of it), and two different room convolution reverbs for space.

Title from the fact that this week's element, Francium, was the last to be discovered in nature, instead of being produced synthetically.

Rush job as my mind was elsewhere this week. Next!

One of a good few Hauntology pieces i'm writing.